light criticism

"Between October 2006 and December 2006, the City of New York has removed or obscured 59 illegal banners on sidewalk sheds. In that same period, Citibank Chase was forced to remove all illegal sidewalk projections at branches around Manhattan. And now, years into NYC’s crackdown on graffiti writers and protesters, after we’ve watched our friends be detained, arrested, beat, fined, tried, and given real jail sentences, not a single corporate toy from any ad firm has had to do any time." graffiti research lab

building on cinematic vision

"Sonny Astani walked into a Westwood movie theater in 1985 and saw the film that changed his life: "Blade Runner," the science-fiction tale that imagined a dystopian Los Angeles where jet-powered cars zoom past skyscrapers covered with enormous, cinematic advertisements. Decades later, the Iranian-born businessman is determined to bring some of those futuristic images to life. His plan? Attach an animated sign 14-stories tall on the 33-story condominium project he is building in downtown L.A." David Zahniser, Los Angeles Times

color like one other

"Mad-hatter artist Graziano Cecchini has struck again. The public-art prankster who filled the Trevi Fountain in Rome with blood-red dye last October released 500,000 brightly colored plastic balls Wednesday from the top of the Spanish Steps in Rome." By sonia zjawinski,blog.wired.com

MediaSCAPES studio final review

The MediaSCAPES design studio final review took place on December 13, 2007. We were joined by a diverse range of critics attending from Los Angeles, New York, and San Francisco-

Jason Anderson, Juan Azulay, Benjamin Bratton, Christian Bruun, Jean Michel Crettaz, Rene Daalder, Blair Ellis, Jeffrey Inaba, Carla Leitao, Marcos Novak, and Scott Perry.
















Projects were presented by
_Kenneth Cameron
_Nina Marie Barbuto & Bjork Christensen
_Jordan Kanter, Arthur Switalski & Bao Quoc N. Doan
_Christopher Norman
_Guillermina Chiu & Sepehram Khamjani
_Jihyeun Byeon
_Saman Hosseini-Pou & Salman Masmouei
_George Labeth
_Hao-yun Ambrose Chuang
_Valentina Vasi

Student Projects can be viewed individually
at this link: MediaSCAPES WIKI

The studio brief proposed an investigation of the 'Post Empire' world in relation to political agency in contemporary society:

POST-EMPIRE SCAPES: MediaSCAPES
Professor: Ed KELLER
Assistant critic: Greg THORPE

'Parallel Realities, Trans-national Archipelagos, New Urban Ambiences

"Sometimes reality is too complex for oral communication...
But legend embodies it in a form which enables it to spread all over the world..."

This voiceover from Jean Luc Godard's film Alphaville, spoken as the camera pans across nondescript post-war middle class high rise residential towers, identifies two kinds of global systems. The first is the wildly proliferating Hollywood mythmachine, which is able to colonize most of the world as America's most visible export, and which Godard satirizes directly in his film, by creating Lemmy Caution [E. Constantine] as a doppelganger of Bogart; and second, the global space which began to coalesce as the world recovered from World War Two, when urban centers were rebuilt and global networks of capital and materials intensified. The first problems of infrastructure, information science, highways, social housing on a mass scale, and systemic architectures in general emerged in macro-urban assemblies as the embodiment of such systems.

The core principles of the concept of 'MediaSCAPE' are defined through this set of catalyst conditions: the migration of vast numbers of people, caused by a range of geopolitical factors; and the emergence of a new set of infrastructures that ultimately merged the control of physical systems with the control of energetic and information systems: Media and Migration.'

surveillance

"Surveillance cameras by necessity record interzones, the hot spots where crime might breed or deviance might spontaneously generate, in locations beyond the reach of our unenhanced optic nerves, or where everything and everyone has simply shut up shop. Business parks at night, city squares cast in gloomy shadow, empty swimming pools, the hooded entrances of hospitals, the city-like scale of airport perimeters, motorway feeder roads where human interaction is factored out of the landscape and the only transaction occurs between speed and machinery. Ballard’s work precisely records such territory, a rich topography inset with mysterious ley lines, weaving a grid to support shadowy lifestyles enacted far away from mainstream thought." Simon Sellars , ballardian.com SurveillanceSaver

surveillance

"Researchers and security companies are developing cameras that not only watch the world but also interpret what they see. Soon, some cameras may be able to find unattended bags at airports, guess your height or analyze the way you walk to see if you are hiding something..... "If you think of the camera as your eye, we are using computer programs as your brain", said Patty Gillespie, Army Research Laboratory in Adelphi, Md. Today, the military funds much of the smart-surveillance research." Associated Press, msnbc

big shadow

"Shadows of the participants movements are projected upon a massive wall of a building, 7-stories high. When participants perform particular actions such as raising their arms over their heads, a giant dragon shadow appears out of the participants' shadows." bigshadow.jp/judge

interception

"A surveillance camera being used to monitor public space was hijacked and reinstalled in a subway station. The camera was used intentionally to broaden consciousness concerning the problem of increasing lack of privacy. People entering and exiting the station were tracked by the camera,and their “capture” was projected on a station wall. The action was illegal." Roch Forowicz, via rhizome

palestine urban infrastructure

"Palestine’s crumbling infrastructure presents a major challenge for a new Palestinian state. Yet it also provides an opportunity to plan for sustainable development and to avoid the environmental cost and economic inefficiencies of haphazard, unregulated urban development that might otherwise result from the need to accommodate a rapidly growing population. The Arc, RAND’s concept for developing the physical infrastructure of a Palestinian state, provides such a plan."

[In partnership with Suisman Urban Design]

 http://www.rand.org/pubs/research_briefs/RB9119/index1.html

sensual body

"The sensual body finds itself living amidst an expansive set of technologies. In this ever-evolving computational world we encounter texts of varying forms and functionalities -- visual, sonic, and code-related. Text may also take physical and/or environmental form. The continuum that bridges distributed bodies with the recombinant communicative and associative functionality of technology is charged with the potential of extending humankind's ability to experience, generate, operate on, store, edit, and disseminate meaningful patterns of experience."
http://www.electronicbookreview.com/thread/firstperson/languagevehicle

single page net map

"What is this? It's a map of the entire Internet. At the moment we're displaying the owner of each IP address (grey boxes), and which IP addresses are listed on the Spamhaus XBL blacklist (red dots), but we should be able to show other things in the future.

A map? Yes, we map all 4,294,967,296 IP addresses onto a huge image and let you zoom into it and pan around. Just like google maps, but more internetty."
http://thewholeinternet.wordtothewise.com

The problem of creating cognitive maps of contemporary landscapes and territories poses significant challenges, but at the same time tech advances move so rapidly that new map interfaces crop up day by day. As more and more of these are available to a general population, the agency of the crowd [with both predictable and unpredictable results] grows exponentially.
EK

ambient music

"Writing in the 1960s, Serge Chermayeff and Christopher Alexander argued that: Under present conditions men are beginning to lose the capacity to discriminate between sound and noise - between the desirable and the irrelevant...The problem of isolating undesirable sounds is technically so hard to solve that acoustics engineers now recommend the simpler expedient of providing artificial background noise in one's own domain as an acoustic cushion or muffler. Making more noise is the only economical way, apparently, of drowning out unwanted noise and of not being overheard. It seems that the illusion of quiet can only be maintained in noise." http://www.slashseconds.org/issues/001/001/articles/11_psuchin/index.php

panoptic fantasy

"The design of social networking and internet dating sites, showing all your friends faces in an array, seduces us with a kind of panoptic fantasy, being able to see many at once.... Just like the panopticon embeds tiny theaters in an array, these social technologies embed so many small panopticons in a matrix of connectivity. Each cell is now its own theater and watchtower."

http://thewinger.com/words/category/tony/

red wind

"Named after Southern California's Santa Ana Canyon and a fixture of local legend and literature, the Santa Ana is a blustery, dry and warm (often hot) wind that blows out of the desert. In Raymond Chandler's story Red Wind, the title being one of the offshore wind's many nicknames, the Santa Anas were introduced as "those hot dry [winds] that come down through the mountain passes and curl your hair and make your nerves jump and your skin itch. On nights like that every booze party ends in a fight. Meek little wives feel the edge of the carving knife and study their husbands' necks. Anything can happen."

http://www.atmos.ucla.edu/~fovell/ASother/mm5/SantaAna/winds.html

locative media

"What is it about place that runs so deep and holds so tight? Take a minute to think about one of your treasured places. And yes, you should probably close your eyes... Jeremy Hight, one the first locative media theorists, coined the term, "Narrative Archeology," a concept which became a corner stone of locative media. It refers to the process of peeling back layers of a place, and finding the stories underneath." photo:mlab.uiah.fi