"The sensual body finds itself living amidst an expansive set of technologies. In this ever-evolving computational world we encounter texts of varying forms and functionalities -- visual, sonic, and code-related. Text may also take physical and/or environmental form. The continuum that bridges distributed bodies with the recombinant communicative and associative functionality of technology is charged with the potential of extending humankind's ability to experience, generate, operate on, store, edit, and disseminate meaningful patterns of experience."
http://www.electronicbookreview.com/thread/firstperson/languagevehicle
Sunday, October 28, 2007
sensual body
Posted by kenneth cameron at 10:18 AM 0 comments
Labels: body, experience
Saturday, October 27, 2007
single page net map
"What is this? It's a map of the entire Internet. At the moment we're displaying the owner of each IP address (grey boxes), and which IP addresses are listed on the Spamhaus XBL blacklist (red dots), but we should be able to show other things in the future.
http://thewholeinternet.wordtothewise.com
The problem of creating cognitive maps of contemporary landscapes and territories poses significant challenges, but at the same time tech advances move so rapidly that new map interfaces crop up day by day. As more and more of these are available to a general population, the agency of the crowd [with both predictable and unpredictable results] grows exponentially.
EK
Posted by Ed Keller at 10:22 AM 0 comments
Labels: mapping, networks, surveillance, visualization
Friday, October 26, 2007
ambient music
"Writing in the 1960s, Serge Chermayeff and Christopher Alexander argued that: Under present conditions men are beginning to lose the capacity to discriminate between sound and noise - between the desirable and the irrelevant...The problem of isolating undesirable sounds is technically so hard to solve that acoustics engineers now recommend the simpler expedient of providing artificial background noise in one's own domain as an acoustic cushion or muffler. Making more noise is the only economical way, apparently, of drowning out unwanted noise and of not being overheard. It seems that the illusion of quiet can only be maintained in noise." http://www.slashseconds.org/issues/001/001/articles/11_psuchin/index.php
Wednesday, October 24, 2007
panoptic fantasy
"The design of social networking and internet dating sites, showing all your friends faces in an array, seduces us with a kind of panoptic fantasy, being able to see many at once.... Just like the panopticon embeds tiny theaters in an array, these social technologies embed so many small panopticons in a matrix of connectivity. Each cell is now its own theater and watchtower."
http://thewinger.com/words/category/tony/
Posted by kenneth cameron at 12:03 PM 0 comments
Labels: dance, surveillance
red wind
"Named after Southern California's Santa Ana Canyon and a fixture of local legend and literature, the Santa Ana is a blustery, dry and warm (often hot) wind that blows out of the desert. In Raymond Chandler's story Red Wind, the title being one of the offshore wind's many nicknames, the Santa Anas were introduced as "those hot dry [winds] that come down through the mountain passes and curl your hair and make your nerves jump and your skin itch. On nights like that every booze party ends in a fight. Meek little wives feel the edge of the carving knife and study their husbands' necks. Anything can happen."
http://www.atmos.ucla.edu/~fovell/ASother/mm5/SantaAna/winds.html
Posted by kenneth cameron at 9:44 AM 0 comments
Labels: literature, location, los angeles
locative media
"What is it about place that runs so deep and holds so tight? Take a minute to think about one of your treasured places. And yes, you should probably close your eyes... Jeremy Hight, one the first locative media theorists, coined the term, "Narrative Archeology," a concept which became a corner stone of locative media. It refers to the process of peeling back layers of a place, and finding the stories underneath." photo:mlab.uiah.fi
Posted by kenneth cameron at 9:32 AM 0 comments
Labels: locative media
Monday, October 22, 2007
los angeles
"No matter what you do in L.A., your behavior is appropriate for the city. Los Angeles has no assumed correct mode of use. You can have fake breasts and drive a Ford Mustang – or you can grow a beard, weigh 300 pounds, and read Christian science fiction novels. Either way, you're fine: that's just how it works. You can watch Cops all day or you can be a porn star or you can be a Caltech physicist. You can listen to Carcass – or you can listen to Pat Robertson. Or both. That's how we dooz it." by Geoff Manaugh
http://bldgblog.blogspot.com/2007/10/greater-los-angeles.html
Posted by kenneth cameron at 11:59 AM 0 comments
Labels: identity, los angeles, urban
Friday, October 19, 2007
computer vision
"Messa di Voce, created by this article's author in collaboration with Zachary Lieberman, uses whole-body vision-based interactions similar to Krueger's, but combines them with speech analysis and situates them within a kind of projection-based augmented reality. In this audiovisual performance, the speech, shouts and songs produced by two abstract vocalists are visualized and augmented in real-time by synthetic graphics."
http://www.flong.com/writings/texts/essay_cvad.html
Posted by kenneth cameron at 11:07 PM 0 comments
Labels: computer vision, gestural interface
Wednesday, October 17, 2007
immigration museum
"It’s hard to say who will go to the National Center at the moment, save for bored schoolchildren on compulsory field trips, although the place has the potential to be a constructive troublemaker. Mr. Toubon promises, in time, a program of events to add meat to the bare-bones display, which he says will also change. Clearly the place needs to do more than cheerlead, feign scholarly impartiality and make vague noises about past injustices to have any impact. It needs to try to steer a debate that is reshaping France and the rest of Europe."
http://www.nytimes.com/2007/10/17/arts/design/17abroad.html
Posted by kenneth cameron at 10:03 AM 0 comments
Labels: gesture, identity, immigration, politic
Saturday, October 13, 2007
geo tagging photography
"The easiest way of linking photos to locations is to combine the time-stamps from both a digital camera and GPS receiver or other location-aware device. If this data is available (over the same period of time) it’s possible to process a series of images and location tracks to stamp each image with location metadata."
http://www.elasticspace.com/tags/mapping
Posted by kenneth cameron at 9:22 PM 0 comments
Labels: geo tagging, gps, locative media
Friday, October 12, 2007
ghostbustour
"listen! do you smell something?"
"Sites relevant to the original 'Ghostbusters' compose the tour path, with video content relevant to the film, geography and history of New York comprising the tour. Watching film footage on a portable media device, while standing in the site of its creation some 20 years ago, 'media memories' become real memories and mediated experience becomes actualized. ghostbustour is an attempt to re-attach "media memories" with our real experience of space and time." ghostbustour.com
Posted by kenneth cameron at 10:48 AM 0 comments